Posts Tagged ‘Charles Villiers’

Charles Churhill Villiers – New Website

27 Modern artist, Charles Churchill Villiers has just launched his new website: www.charlesvilliers.com.
Charles has constructed his own website and in doing so, has realized a long held goal of managing his own on-line presence.

The website, like his artwork, is more than a little avant garde. The site opens with the question “What is your most precious dream? “… it showcases recent paintings from Santa Fe, digitally created art and a cross section of past works in an astonishing variety of mediums.

One of Charles Villiers’ best assets is his ability to move freely from one medium to another without a disruption in his creative process. His work is process driven; filled with symbolism, iconography but arranged into compositions, often with a sophisticated colorists approach.

By the end of this week, Villiers should be arriving in London to make arrangements for a much anticipated showing of his recent works… in pursuit of his most precious dreams.

Charles Villiers – Hurricane Amanda

Amanda Hurricane Amanda by Charles Churchill Villiers
36″x36″ Oils on Canvas, framed.
$8500

One of small series of non-objective modern abstract paintings by Charles Villiers, each was named for a love in his life in the way that storms are named.

This particular piece really caught my attention, I like the square format and the custom metal floater framing. It’s an old-school modern abstract, heavy impasto oils on Egyptian canvas. Each in the series had varying scale, shape and framing details. It’s quite difficult to create a painting this way and I admire how almost sculptural it is.

Charles Churchill Villiers – a Self Portrait Series (Digital Prints)

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Charles Villiers reviews the print making and exquisit framing of his digital self portrait series before shipping them to Europe.

In 2004 I was asked to print a series of work by artist, and personal friend of mine, Charles Villiers. He was exploring digital image making and output in projection, web, and print. We went to great lengths, proofed in numerous art and photographic papers to make an archival print with color characteristics that would do the brightly colored images justice. The final prints were meticulously framed; mounted on a floating full bleed placard inside of a brilliant white matte and classic black frame.

The series was crated up and shipped to Europe for exhibition but were lost in transit. Eventually they did resurface and were shipped back to Vancouver Island, Canada. Charles had already been to London and returned to L.A. by the time that the recovered series was returned and has been in storage ever since. Now 5 years later – I have the opportunity to show these and selected works by Charles Churhill Villiers in my gallery here in Ucluelet, the show is currently in the planning stage – I’ll be posting some dates and info as things progress. Meanwhile, here’s a sneak peak at the recently rediscovered treasures…

Charles Amherst Villiers – The Man Who Supercharged Bond

Version 4“Paul should be congratulated on a book which gives an authoritative, overdue account of an extraordinary man.” ~ Lord Montigue of Beaulieu (in the forward of ‘The Man Who Supercharged Bond’, a biography of Amherst Villiers authored by Paul Kenny)

The extraordinary story of artist Charles Churchill Villiers’ father Charles Amherst Villiers has recently been published. I know Charles to be immeasurably proud of his father’s accomplishments, and of him as an artist and painter.

Amherst made a profound break from rocketry and engineering, to pursue painting; his very first portrait was of young Charles, the portrait sitting resulted in the two spending a great deal of time together and seems to have influenced Charles deeply in his identity as an artist.

Ian Flemming was a close friend and neighbor to the Villiers family. In 1962 Flemming commissioned a portrait which appeared in a limited edition of ‘On Her Majesty’s Secret Service’. A young Charles’ childhood stories are credited to the formation of ‘Chitty-Chitty-Bang-Bang’ the children’s book, and later hollywood movie, which is undeniably based on the Villiers Family; Charles, sister Jane, their father the inventor and of course the fabled race car rebuilt as a flying car.

053 amherst and charlie in blower

Amherst Villiers and his son, Charles in the restored Bently

At age 11, under his father’s guidance, Charles began painstakingly restoration of a Villiers blown Bentley, that had been given to him by Flemming. The car upon it’s completion, won the Concourse D’ Elegance at Pebble Beach, California.

Amherst Villiers began began his career in design engineering by souping up Brescia Bugattis, he went on to develop Superchargers for Bentley and Rolls Royce. He designed the Napier-Campbell Bluebird in 1927. He left the group to work on a gyroscope design and to calculate a rocket trajectory to reach Mars, by that time Bluebird had broken the land speed record.

As a professional, portrait painter, he was known to take his artwork very seriously, pursuing it with a single minded determination. He studied under portrait painter Pietro Annigoni in Florence, and later worked on restoration of renaissance masterworks in a monastery in Majorca. As an artist himself, his son Charles studied painting under him in Spain.

Amherst Villiers paintings are very highly regarded; a portrait of Ian Flemming, along with a stunning portrait of legendary race-car driver, Graham Hill, are on loan to the National Portrait Gallery of London.

I’m excited and looking forward to reading this book. It’s available online at the official website www.themanwhosuperchargedbond.com

Charles Villiers

Charles Villiers, online and connected.

Charles Churchill Villiers was born in New York in 1951, son of the noted inventor Amherst Villiers.

His father, who had designed the Blower Bentley in the 1920’s, was President of the American Rocket Society, helped develop Sir Malcolm Campbell’s “Campbell-Napier Blue Bird’, and was also himself a portrait painter of significance.

Charles from an early age showed astonishing creativity. Though gifted with an aristocratic legacy (he is Winston Churchill’s Godson, and his family tree stretches back directly to William the Conqueror) Charles was never one to rest on his laurels. He grew up in London, New York, California and occasionally stayed for long periods with his aunt, Veronica Milner here on Vancouver Island, who was host to Queen Elizabeth II, Prince Charles and other Royal visitors to their Qualicum Beach estate.

When just ten years of age Charles was asked by Ian Fleming, a friend of his father, to draw a picture of a car. The prototype of this drawing was then used to illustrate a book that Fleming was working on, “Chitty, Chitty, Bang, Bang”.

Fleming later acquired a Blower Bentley, which at age eleven, Charles restored and five years later won the “Concourse D’Elegance Award’ at Pebble Beach in California.

Charles has expressed himself in the world of art from many directions. During the 60’s and 70’s he was a musician and songwriter with such bands as ‘Villiers & Gold’, with Andrew Gold, “Homeward” with Steve Bishop and acted in films, one of which, John Landis “Schlock” won the Trieste Sci-Fi Festival Ward.

However his painting has always been the main venue of his creativity and he has during the past forty years produced an impressive body of work. His work has evolved from the classical, to abstract to the non-objective and in recent years into digital media which have led to a stunning selection of prints.

He has had at least thirty-five major solo exhibitions and has executed numerous commissions worldwide. His work is included in a number of Museums and in the collections of many prestigious and notable collectors.

Posts tagged Charles Villiers
Charles Villiers’ Blog: artfoodforthought

Solo Exhibitions:

  • 2008 Charles Villiers – You Don’t Get This, In Gallery Paint Sessions, Mark Penney Gallery, Ucluelet BC Canada
  • 2006 Control Drama, Downey Museum of Art, Archival Ink Jet Prints, Downey, CA
  • 1995 Soul Trap, Sculptures, Sullivan – Goss, “An American Gallery” Santa Barbara, CA
  • 1995 Paintings from London, Abante Fine Art, Portland, Oregon
  • 1993 From the Artist Collection, Spago, Cesar’s Palace, Las Vegas, NV
  • 1991 New Paintings, GH2 Gallery, West Los Angeles, CA
  • 1989 Large Scale Paintings & Sculpture, Natoli – Ross Gallery, Santa Monica, CA
  • 1988 The Metal Primate Variables, Future Perfect, Los Angeles, CA
  • 1988 A Tale of Three Cities, Diane Nelson Gallery, Orange County, CA
  • 1986 New Bronzes & Paintings, Chiat – Day Corporation, New York, NY
  • 1985 The Procreation Paintings, Gallery West, Los Angeles, CA
  • 1985 Selected Works, & Installations, Scratch, Venice, CA
  • 1984 Twin Self, Art Space, Los Angeles CA
  • 1984 New Work, Drawing, Paintings and Sculptures Gallery West, Los Angeles, CA
  • 1983 Chop Wood, Metro Gallery, In conjunction with The China Club, Hollywood, CA
  • 1983 Auras, Gallery West, Los Angeles, CA
  • 1983 New Paintings, Kirk De Gooyer Gallery, Los Angeles, CA
  • 1982 In a Moment of Time, Lawrence Silver Gallery, Beverly Hills, CA
  • 1982 New Work as an Installation, Arco Center, Los Angeles, CA
  • 1978 Etching & Drawings from Spain, John Greenburg Gallery, London, England
  • 1977 Osiris, Richard Mann Gallery, Los Angeles, CA
  • 1972 Drawings & Woodblocks, Gallery Palma, Majorca, Spain
  • 1970 Charles Villiers – Installation, Hans Morris Gallery, Copenhagen, Denmark

Group Exhibitions:

  • 2010 Fish, Ships and Lost Art Treasures – Select Fine Art Prints , Mark Penney Gallery, Ucluelet BC Canada
  • Group Exhibition, Downey Museum of Art, Downey, CA
  • Downey Museum of Art, featured artist Art International, Barker Hangar, Santa Monica, CA
  • Two – Person Show, The James Grey Gallery. Charles Villiers & Craig French Santa Monica, CA
  • Regional Artists, Group Exhibition, Gallery 22, Nanaimo BC, Canada
  • From out of nowhere The Thinking Space, Hoxton Square, London, England
  • Gallery Artists, Abante Fine Art, Portland, Oregon
  • The Native American, Sponsored by, Black Elk Speaks, Los Angeles, CA
  • The Final Exhibits – Part II. Art Space, Los Angeles, CA
  • City of Angles, GH2 Gallery, Tokyo, Japan
  • Animal Rights, Studio Leonardo Gavinci Gallery, Los Angeles, CA
  • Group show, Diane Nelson Gallery, Laguna Beach, CA
  • The First Show, Modern Multiples, curator, Richard Duardo Los Angeles, CA
  • Best of the 1980’s Laguna Museum of Art, Laguna Beach, CA
  • A Continuing Study in Multiples, Transamerica Galleries, Los Angeles, CA
  • 1988 Gallery Artists, Diane Nelson Gallery, Orange, CA
  • L.A. Arts, Leonardo Gavinci Gallery, Los Angeles, CA
  • Creative Existentialism, Blue Note Experimental Group Exhibition, Chicago, Illinois
  • Artist from the Center of the Universe, Natoli – Ross Gallery, Santa Monica,
  • 1984 New Mannerism, Davies, Long Gallery, Los Angeles CA
  • Gallery Artists, Davies & Brown, Los Angeles, CA
  • Car and Culture, Museum of Contempory Art, Los Angeles CA
  • Olympic Arts Festival, curator, Richard Koshalek, Los Angeles, CA
  • Studio Show, Robert Miles Runyan, Los Angeles, CA
  • Car Plays, Mark Taper Forum, curator, Julie Lazar, LosAngeles, CA
  • Light and Dimension, curator, Ruth Bachofner, Gensler & Associates.
  • Metro Rail, in association with L.A.V.A. Los Angeles, CA
  • Art and the Familiar Object, Security Pacific Bank, Los Angeles, CA
  • Twentieth Century Sculpture, The Jones Gallery, Huntington Beach, CA
  • Tubular Art, Laguna Beach Museum of Art, Laguna Beach, CA
  • 1983 Predictions, Metro Gallery, Los Angeles, CA
  • The Urban Suite, Monoprint Portfolio, Angeles Press, Metro Gallery, Los Angeles, CA
  • Thought Forms, Metro Gallery, Los Angeles, Spring Wave, curator, Barbara Lazaroff, Spago,
  • Art and Soul, Stella Polaris Gallery, Carl G. Jung Institute Benefit
  • Summer Show New West Gallery, Tucson, Arizon
  • Monoprints from Angeles Press, curator, Bruce Richards; Art Space Los Angeles, CA
  • Emerging Artists, Cirrus Gallery, Los Angeles, CA
  • Images and Issues, curator, Sandy Ballatore -Nelson,Santa Monica, CA
  • 1982 Similar Views, Yaacov Agam, Eugene Jardin, Charles Villiers
  • Gallery Artists, Gallery West, Los Angeles, CA
  • Kirk De Gooyer Gallery, Los Angeles, CA
  • Cedars Sinai, curator, Marcia Weisman, Los Angeles, CA
  • Video installation, At Sunset, curator, Jim Budman, Hollywood.CA
  • Sex at Exile, Exile Gallery, Los Angeles, CA
  • Lawrence Silver Gallery, Los Angeles. Metro Gallery, Los Angeles, CA
  • Kirk De Gooyer Gallery, Los Angeles, CA
  • 1981 The Triptych Show, curator, David J Rubin, Claremont Graduate School,
  • Figuration / Abstraction, Gallery Kirsten Riche, Hamburg, Germany
  • 1980 Shinno Gallery, Los Angeles, CA
  • 1978 Summer Exhibition, The Royal Academy, London, England
  • Celebrity Show, Sotherby Park Bernet, London, England
  • Layton Gallery, London, England
  • Gimpel Fils Ltd., London, England
  • 1974 Shinno Gallery, Los Angeles, CA
  • American Painters in Paris, C.I. P., Paris, France
  • Galley Artists, Gallery Palma, Majorca, Spain

Select Commissions:

  • 2007 Museum of Contemporary Art & Culture / New Museum, Project / Downey
  • 2007 180 Music “Saudade” Stephen Bishop CD Cover & Booklet Minneapolis, Minnesota
  • 2003 Unit 29 Video Projects, Direction & Production, BC, Canada
  • 1997 J. Colin, “Faith” Fourteen Large Scale Sculptures, Montecito, CA
  • 1997 Spago, Wolfgang Puck – Barbara Lazaroff, Nude Woman With Crown & Goat, Large Scale Painted Insulation, Hollywood, CA
  • 1991 Mondrian Hotel, Arnold Ashkenazi “The Light House” Large Scale Painting, Los Angeles, CA
  • 1988 Modern Multiples, The Metal Primate Variables
  • 1987 The Carriage House, Jay Chiat – Bronze Commission for Interior, NY. N.Y. Jay Chiat, Robert Miles Runyan, Cast from Eden – Bronzes
  • 1986 Scratch Restaurant, Sculptural Entrance & Building Exterior,Venice, CA
  • MOCA, in conjunction with. Mark Taper Forum, Car & Culture, The Thirty-Foot Spinning, Triptych
  • 1983 The Laurence Gregar Group, The Urban Suite, Mono-Print Portfolio, Los Angeles, Ca
  • 1970 Motion Graphics, – John Whitney Sr. “Binary Bit Patterns,” Computer Animated Short Film – Musical Direction & Composition, Pacific Palisades, CA
  • 1960 Ian Fleming, Initial Drawings for “Chitty-Chitty-Bang-Bang,” London, England

About the Artists

I know and respect each of the artists represented in the gallery, some I have worked with for many years, others have come to know me recently, through the gallery. I try not to limit the works to any specific genre, scale or medium despite my own personal biases.

It’s an absolute pleasure to admire, display, reproduce, sell artwork that I’m genuinely enthusiastic about.

Many visitors are amazed to learn how many artists are from Vancouver Island or who travel here to paint, study, vacation and sometimes to disappear for a while.

Charles Villiers seldom offers explanation of his work. He prefers to remain a bit of a mystery, leaving the viewer to form their own opinions of his art. Prolific painter, sculptor and more recently digital media artist, he’s made a transition that many artists struggle with; the process of making your art in different mediums without loosing your style. Somehow even highly technical compositions retain a bit of the innocence of his earlier figurative and nonobjective works. It’s not unlike the way you can still sometimes see the boy within a man.

Ken Kirkby is renowned at an internal level as a decisive canadian painter, he has a distinct graphic style formed by many bush miles. His paintings depict a minimal stillness not unlike other noted canadian realists. He’s a very passionate man who has a dedication to making an impact as an artist that goes well beyond painting.

Rob Elphinstone is a physicist whose area of expertise is the study of the northern lights. I find it fascinating that his work to quantify something ethereal is also reflected in his art, he’s an actualist painter and his paintings depict his experience, not technically what he saw.

Marla Thirsk – is known as Ucluelet’s artist, and I’d have to say she’s so much more. Almost every art event, function, group in the area has benefited directly from Marla’s help. The Whale Festival posters have been a calling card of hers for years. I’m pleased to have several exciting work of hers.

Jeff Edwards – a well known sculptor, and a well liked crab fisherman. Jeff chooses his stone from local area quarries, his works are highly prized. His enchanting bears, and marine mammals are well liked and collected, I’m happy to be showing several of Jeff’s figures, and shapes.

Joan Larson – renowned for her equine (horse) Illustrations, she works almost exclusively in pastels. We’re very pleased to showcase several of her local landscapes, and look forward her RCMP Musical Ride Series.

Peggy Burkosky – Known as a advanced watercolorist, Peggy is an capable painter in any medium. Her paintings have a sincerity about them, a true reflection of her island life. Sea scape scenes often include her daughter, family, or Bob’s fish boat, they are stunning paintings and portraiture. She teaches her secrets at the Old School House in Parksville.

Richard Hoedl – An accomplished painter, his bright whimsical style catches alot of attention. Richard paints in a walnut based oil on deep streched canvas.

Terry Jackson is a Metis artist working in carved wood, silver and cast porcelain. His contemporary use of materials lends a refreshingly clean look to his culturally based works. The porcelain is highly collectible, and the silver reflects an intrinsic value. Terry’s woodwork ranges from masks and wall panels to commissioned totem poles.

Jacqueline Windh, a Tofino based photographer, is well known for captivating seascapes and wildlife. Her work is frequently published and she regularly contributes to CBC Radio.

Nigel Brooks Peer is an art photographer of a different kind, he’s well travelled has worked in several genres, and is fascinated with reflections. He’s formed a style of his own in multiple image exposures, juxtaposing images, often on first blush they’re seemingly unrelated subjects, but subtle cultural refrences emerge to poke at your conceptions of art and photography.